Without a shred of evidence, without contradicting a word that I wrote, Jonathan Mahler in The New York Times Magazine this week suggests that the “irresistible story” that I told about the killing of Osama bin Laden in my 2012 book, The Finish (excerpted in Vanity Fair), might well have been a fabrication—“another example of American mythmaking.” He presents an alternative version of the story written by Seymour Hersh as, effectively, a rival account, one that raises serious doubts about mine, which is all but dubbed “the official version.” It’s not meant kindly.
Mahler’s think piece about the iffiness of reporting and the hazards of trying to shape history into a narrative is a great gift to conspiratorial thinkers everywhere. It’s not often that the most distinguished journalistic institution in America wades so fully into the crackpot world of Internet theorizing, where all information, no matter its source, is weightless and equal. Mahler is careful not to side with either Hersh or me, but allows that “Hersh’s version doesn’t require us to believe in the possibility of a government-wide conspiracy.”
Read the full article Here